The plots of some films from the list are based on real crimes, which makes them even worse. Time Out remembered 5 paintings about the victims of the abduction, which were locked up, one on one with her tormentors.
"3096 days"(3096 Tage, 2013, dir. Sherry Herman)
The first picture in our collection is based on the real history of Austrian Natasha Kampush: in the ten-year-old, the girl was kidnapped by technician Wolfgang scalp and spent in imprisonment for more than eight years.
In 2006, Natasha managed to escape from the kidnapper - this story instantly attracted the attention of the press and cinematographers. As a result, after four years later, the girl published the autobiography of "3096 days", which was based on the scenario of the film of Horman.
The tape begins with the fact that in March 1998, Kampush (Anthony Campbell Hhujes) is abducted in March 1998) on the way to school. The maniac brings the girl to his house in Strashof-An der Nordbane, where she gradually becomes a worker, girlfriend and mistress.
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Events in the film are developing extremely slowly, clearly demonstrating, as day after day, from the moment of abduction and to escape, the life of the prisoners proceeded. We see how hunger is intertwined with a circulation of physical and psychological violence, and the struggle with it is inextricably linked with the resistance of the surrounding reality.
In the painting evil, which appears in the appearance of a calm and frightening calm, literally comes from the screen and multiplies as Natasha on the leaflets of toilet paper leads statistics of applied beatings.
One of the worst topics that affects the director in this heavy film is how silent, long and unpunished may be evil.
Especially remembered by an episode where the heroine, doring himself, asks for help from the Russian tourist, but she does not understand her words. At this moment, the heroine and the viewer inside everything breaks down - the awareness is coming that the nightmare is destined to continue.
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Mikhael
(Michael, 2011, dir. Marcus Schentzer)
The film participated in the competitive program of the Cannes Festival. When working on the script, the director of the picture, Markus Schintzer, tried to avoid directly adaptation of the real crime. However, partially plot is still based on the aforementioned history of Natasha Campush: some storylines are borrowed from its autobiography.
Ribe tells about the last five months of the life of the Pedophile Michael (Michael Fuit) and his ten-year prisoner - Wolfgang (David Rukhenberger). I look at Mikhael looks like a regular clerk - no one has suspected about his crimes from the neighbors. From time to time, a man even went to the boy for a walk, during which they looked like an ordinary family.
Mikhael became the debut work of Marcus Schinzer - before that the author held the position of casting director from Michael Hahek, and this experience in the film is clearly traced. First of all, I would like to mention impeccable casting - the actors are extremely convincing in their roles.
In addition, Mikhael creates the same sense of renunciation while watching, forcing the viewer to be nervous under the pressure of the composer and the icy calmness of the kidnapper. The picture is distinguished by the absence of both the intake pathos and any assessment of the unstable psyche of Michael.
"Cleveland Capts"
(Cleveland Abduction, 2015, dir. Alex Kalymnios)
MEMUARY Michel Knight was taken as the basis of the "Cleveland Captinations". For eleven years, the woman was a captive Ariel Castro captive: a man kept and regularly raped the Knight itself, as well as Amanda Berry and Gina Dehesus. In addition, specifically, Michel, the criminal trocked the miscarriage, beating a girl before half death.
The film begins with the story of everyday life of the main heroine (Tener Manning). We will learn about her unfortunate youth, failures in personal life and career, details of the education of a three-year-old child and a relationship with a mother, whom to do with his own daughter.
Permanent search for work does not give the desired result, because of which the heroine loses his son - he is taken into the shelter. On the way to the next court session associated with the issues of the guardianship, the girl sits into the car to Castro (Raymond Cruz) - the man suggested her to pass. Michelle turns out to be at home, after which the life of the girl turns into a nightmare at night. Later to her "join" two more prisons.
Do not take care of frightening naturalistic details of violence, the film demonstrates the processes of psychological and physiological humiliation and bullying, which are intertwined with a merciless feeling of helplessness.
During viewing, the viewer may repeatedly arise the question: "Why didn't the heroines take advantage of escape?". The answer is one of the main advantages of the tape - the authors are convincingly, both visual and psychological levels explain the nature of despair, making focus on the wild and paralyzing fear.
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"Collector"
(The Collector, 1965, dir. William Willer)
Several differs from the methods of the above-mentioned heroes-maniacs of Freddie Klegga's behavior (Terens Stamp) - the hero of William Wilera's paintings, filmed on the basis of the novel John Faulza. Freddie works in a bank and throughout life passionately replenishes the collection of butterflies.
One day, the hero wins a hundred-minute one thousand pounds into the tote and decides to realize another passionate dream - to reunite with the artist Miranda student (Samantha Eggar), in which he is hopelessly in love. Without seeing a different way to get a girl, Freddie abducts her and locks in a remote country house. However, a man does not hurt and does not rape a prisoner, but provides all the amenities, ranging from dresses, ending with the goods necessary for drawing. The hero wants one - to Miranda to recognize him closer and loved.
First of all, William Willer, like John Falez, is shocking the fact that he leads the story from the maniac, from the first seconds forcing the viewer to look at his eyes. So, for example, the first in the film is an episode where the hero catches and climbs the butterfly with a cold focus, which is about to replenish his collection.
From this there is a further picture: the process of preparation and abduction look like hunting with a saccmother, and Miranda, in turn, turns out to be caught trophy and at the same time an unhealthy dream of a boy who has joined the time of maturity. "
Next, Wailer is brilliantly beating the relationship between the maniac and the victim: in a slightly flirting manner, the author throws away, then takes hope of the viewer, while allowing you to enjoy the scrupulously detailed atmosphere of the prison, which is getting colder from day to day.
A brilliant casting plays far from the latter role. Only due to the focusing of the heat between the heroes, the main Suspantly of the film is being built: Terens Stamps virtuoso simulates an ice animal view, which, together with cutting music and wild horror, on Eggar's face creates a feeling of endeavor and anxiety.
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"Berlin Syndrome"
(Berlin Syndrome, 2017, dir. Kate Shortland)
Australian Thriller Kate Shortland, shot on the novel of Melanie Justin, was first shown on Sandense and talks about the young journalist Claire (Teresa Palmer). Traveling in Germany, the girl met a charismatic guy Andy (Max Romelt), spent the night with him, and in the morning he was already his prisoner - the guy locked her heroine in the apartment.
If the "collector" forced us to identify with the maniac, then "Berlin Syndrome" again gives the opportunity to look at the victim's eyes. Throughout the film, Andy Relations and Claire are balanced between the obsessed wishes to "make a pleasant" and defense with the help of a screwdriver, which is destined to pierce the hand of one of the heroes.
Sometimes what is happening is diluted by feverish plans of shoots and the feeling of the proximity of the tragic junction, which is reminded by the fact that Andy had other prisons - now they are dead.
The speaker Shortland prefers a slow-melancholic manner, which, in turn, is supported by extraordinary visual solutions. In the "syndrome" brilliant operator work, installation and flawlessly selected locations, rhymes with a common oppressive atmosphere and genuine anxiety.