In the film "Rabbit Lap", which February 11 goes into Russian cinema rental, Svetlana Shchedrina played a major role. Her heroine Alya is a creative girl from the Petersburg communal - meets on the Frenchman Nicolas (Nicolas Duzochl) and falls in love with him at first glance. He is responsible for reciprocity, although in his back he himself has an incomplete marriage and requiring the presence of work on grandfather's vineyards (Pierre Rishar), inhabiting in the present castle. Life into two countries - peaceful rural France and the events torn by the events of Russia - check for the strength of Ali and Nicolas. On the eve of the premiere of the film, the correspondent of Movie-theater.Ru talked with Svetlana generous on the peculiarities of work in the international project, the difficulties of the role in French and what is power.
What makes this film started for you, and how did this role come to you?
I was familiar with the producer of this picture by Julia Sobolevskaya, and she invited me to meet with the director of Nana Georghudze. It was not samples in the usual understanding, it was a conversation - we just talked for a long time, then met again, and after some time I called for makeup and costume. That is, everything turned out very naturally, without a donkey, without push, without extra nerves. As for the role, I read the script of Irina Lukinova - very poetic - and just fell in love with the heroine. Such a piercing story cannot but hurt and do not initiate the desire of such a character in the actress. I generally think that a similar role is a gift.
The image of your heroine is close to you? Do you have a lot with her?
She is very close to me internally, but as for external manifestations, its actions - here we, of course, are separated. Therefore, it was interesting to observe the development of the nature, for its reactions, in general, in the internal process. It was an incredible creative flight, and Nana came up with and prompted the wonderful things anching. She is a very subtle man, vibrating, sensitive, so that she put very ambiguous tasks and the more interesting, in my opinion, for the actors.
How was your work with foreign colleagues built? Were foreign shooting difficult - or vice versa?
"Belgian block", as we call it, was a stunning period of filming. Location, which is called "Castle", we shot in a small town. It was summer, wonderful weather and a company - a lot of sun and creativity. Although it was the very beginning of the project, and, as you know, this is a difficult moment, while the work will not rise, as they say, on the rails, until everyone gets acquainted, do not recognize each other, they will not feel. On the one hand, it was scary, on the other - curious and exciting. But I constantly experienced delight, I woke up in a hotel room on a hill, I brought me under the coffee door and a basket with croissants. Shooting dreams! And when this period ended, we were forgated with the Belgian part of the group with tears in the eyes. We really attached each other, and they loved us, and we are. As for the actors, this is an incredible experience to work with such a legend like Pierre Rishar, and with such a master, like Nicolas Duzoše. To be in the frame with such partners - one solid pleasure. And improvisation in joy, and in general any surprise. In addition, on their part there were constant support when I had to pronounce something in French.
Read the history of the film "Rabbit Lap"
The role is partially on someone else's language - was it a test?
I started learning French for two to these filming, quite by chance. But he taught neither Shake Narco, and only when this role came, I began to rehearse hard. Including with our screenwriter Irina Lukinova, which speaks flawlessly French. I also chased me all the time, and, of course, the partners who rehearsed with me so that I could give replicas freely in the frame. But Nicolas was not easy, since he had a lot of text in Russian - and he coped so great with him.
Now the movie around the world has a trend on strong heroines, and you will not call any of the "rabbit paws" in a modern understanding. Am I right or not?
I believe that you can call, because the force is not to hide your feelings and emotions. Very open, emotional, honest and sincere person can be very strong. Her power in the beplacement, fragility - it is not immediately, probably, you can see, but you look at what happens to it during life. She courageously and adequately copes with loneliness. She did not cut, did not fall, did not do anything with him. On the contrary, he grown, became confident in herself and self-sufficient woman, the only thing she slammed her heart. But she did not break.
And the characters are men - in my opinion, only the heroes and Pierre Richara can be called definitely positively, and the rest that Mitya, that Nicolas, do not make the most favorable deeds, sometimes even sublit. Agree?
I was asked why Mitya turns out to be so scone. And I was originally not treated for his act as a meanness - he just turned out to be not a strong person. She is friends with him since childhood, knows him as irradiated, and, if he were a suitable man, she would not communicate with him. It means that he did not take palls, and then he became so painful that he could not cope with this. And therefore committed a disgusting act, such that even after many years he could look into her eyes only with a certain challenge offended and offended person. Although he himself had to ask for forgiveness - but was weak. And Nicolas also does not cope. I generally like this story the fact that all the characters are very ambiguous - and do you know in the real life of people who do not commit mistakes and no weaknesses? Of course, no, and in this charm of human nature - in man a lot of things, but we always know that from this most importantly, we feel. The power of the Spirit of Nicolas, how he knows how to love his stem inner - all this is obvious and read. Although he, of course, can annoy, he may be angry and not understand, he may have a lot of questions. But he does not make palls, he leaves like a real man. A real man will never find out the relationship, he swallows and leaves, or is angry and then leaves.
Hero Oleg Garkushi almost all the film is silent - what is it working with a silent partner in the frame?
It is a surprisingly intelligent and delicate man, kind, smart, deep and non-conflict. He himself said that silently can sometimes play much more than endless dialogues - and this, of course, is true. I have all the partners in this film brilliating, and I hope that I managed to match them.
What do choose a movie or still the theater?
I often answer this question and has long ago formulated a response to him - cool when there is an interesting job. If it is the theater, then he captures me completely, but it happens differently. It all depends on the material, director, teams. But for me it is strongly excellent activities, that's for sure.
What do you pay attention to when choosing a role?
I read and think whether this story is interesting to me, this character. I did not often refuse roles in my life, maybe because I was lucky. It concerns large roles in the movie and in the theater - there was always hitting the top ten, and I thought - just that I would have been approved, just let me give an opportunity to play, implement, because it is very much about me. Or, on the contrary, not about me, but I'm wondering for this.
For whom, how do you think this movie?
No matter how banal it sounds, first of all, I think for the women's audience. Any woman will find something important for themselves in our picture. After the appeals at the festival in Blagoveshchensk, for example, there were many reviews in the spirit "But I ..." - that is, at once the audience appeal to their experience, and it seems to me, the best assessment when a person feels that I told about him. Well, this film is also for any person who wants to see a beautiful, very sincere movie about love. If there is such a need, then you need to see. Because the film is very clean, very French, despite the fact that a lot of Russian reality. In general, let everyone come and look, to someone, I'm sure, I will definitely like it, and someone does not, someone will be close, and someone will be far from it, but you need to see to understand - in vain you spent time or not.
"Rabbit paws" at the box office from February 11.