Denis Villenev removed a film-essay about the Great Picture of Ridley Scott
2049 year. From the times of the first "blade running", exactly thirty years have passed. Non-easy decades included the development of new space colonies, the fight against recalcitrant replicants, Blackout, which destroyed the economy and all the information stored in electronic form, hunger, the solution of this problem and the new round of replicant construction. Specializing in Robots Tyrell Corporation managed to go off and go to the hands of an enterprising blind genius Niander Wallace (Jared Summer), who saved people from hungry death thanks to synthetic food, and in 2036 settled the production of absolutely submissive androids. The divine ambitions of Nianman applies even further - he wants his creations to give birth to themselves. This will help reduce spending on the production of replicants and will approve Wallace in the status of Demiurge. A parallel course running on the blades of a replicant named Key (Ryan Gosling) neutralizes the next illegal (Westler Dave Batista in intelligent spells and bristles) and finds under a tree, close to his hibars a mysterious box. Experts remove from the bone of replicanti from there, which, judging by the footsteps from the field cesarean section, managed to give birth. Kei will have to investigate this that is not a scientific explanation miracle.
"Running on the blade 2049": watch a movie online
Denis Willneva Running on the Blade 2049 - the most ambitious and most secret project of this year - effectively talks about what happened to Futuristic Los Angeles after the replicant hunter Decard (Harrison Ford) and his beloved-replicant Rachel ( Sean Young) left a gloomy town communal, where everyone is doomed, but not yet understood. Thirty years later, here it was as if it became a reasonable, from the rising seven had to be burned out the beautiful wall, and the technology stepped forward, despite the blackout and destroy. In particular, Kay has a holographic beloved (Ana de Armaas), which dresses in the style of the 1950s and is preparing a synthetic food in the microwave (and there is no one). Writer Michael Green and put his hand to the plot of Ridley Scott look into the future of one fantasy to ask, in fact, the same questions that have already sounded in the original film. True, both of them seem to be that questions thirty years later formulated otherwise.
Today's cult around the "blade running" is a mixture of enthusiastic justice and pure randomness: Scott's film was born in terrible flour, quarrels and seven mounting versions, where the failed and criticized rolling version, in general, is opposite to the director's intonation. A whole collection of myths around the painting is beautifully complemented by its magnetism. Magnetism of a stuffy, dream, complete non-diamordant techno-noura, whose futuristic world seems tangible and irreal at the same time. Close crowded people with neon advertising, honeycomb, couching from each other on their heads, large desert cabinets, similar to abandoned ships. In such real and obviously cinematographic scenery "Running on the blade", under different angles asked the question, what is a person, turning to the owls, people, replicates and the city itself, which in response to Asian grins from the Coca-Cola's advertising shield.
In the new version of Green and Villenev, they try to do the same that Ridley Scott himself makes from the Universe of others in Promethea and "Alien: Covenant," they look at it from another angle, but for this they obviously lacks arrogance and fresh ideas. Memory as the basis of the human personality and the stabilizer of the "psyche" of replicants turns out to be the central theme - an expanded version of the rhetorical replica "Do you trust your memories?". Most of God, Tolstosum, with the face of Jared, repeatedly illuminates the conflict of the Creator and the creation, is already spectacularly played with Rutger House by Rutger Hauer. Reflections on the ability of artificial intelligence to love a little updated - and here Kay turns out to be touchingly tied to the hologram, a set of pixels, which corresponds to him (sincerely or by the will of the laid program). If you go in this direction, the ideal and more resourceful Sixel "Running" was a quiet Spanish Sai Fi "Insurer". There, the shaved head of Antonio Banderas also faced the self-knowledge of artificial intelligence, but not in the blue tones of Edward Hopper, like BladeRunner, and in the yellowish aesthetics Andrew White. In addition, the authors of the film are not as much rhyme (once again) robots with people as we wondered if the replicants would not be the next step of evolution for life on exhausted land.
Denis Willnev also seems to take off the film-essay about the masterpiece of Ridley Scott, where it is very beautiful and with a pointer in his hands, he leads viewers by key themes and even the scenes of the original. In a 163-minute film, there is not a single episode, which in one degree or another would be born from the 1982 Running Bladder. Each view of the Operator-virtuoso Roger Roger Dickins, every shade and design solution, each note taken by Hans Zimmer or Benjamin Wallfish, carefully extracted from the Bladerunner DNA. And this key problem "2049" is a fascinatingly beautiful, but absolutely sterile amusement park (without particularly action). Printed on a 3D printer man. Wilune is so thoroughly trying to reproduce the spirit of sleep and the proprietary slowness of the original, that as a result, it is managed to collect a brilliant set of collages, but it is not to create a whole breathable world. If the "blade running" is a monument of creative notion, as a result of which a miracle happened (as a pregnant replicant), then "2049" is an example of a coordinated teamwork, where the whole is just the amount of the effort.
The total talent of the project participants, of course, helped to avoid completely frontal repetitions, as in the seventh "star wars", but did not save the "2049" from a noticeable simplification, as happened with the remake of the "Ghost in the armor". There, too, the best images of the original thoughtfully reproduced due to the relics of the modern film industry, and existential throwings have reduced to self-determination of artificial intelligence. It is significant that in "2049", which tries to hit the viewer with scene kunshutyuki, one of the key figures is a girl programming for replicants the most believable memories. In the original, a close role was performed by J. F. Sebastian - 25-year-old young man with wrinkled because of Malfusale's syndrome, who also constructed alone and revived phantasmagoric dolls. Ridley Scott still remains brazen young men in the body of a 79-year-old man inhaling life in bizarre figures. Wilnev, whose passion in the geometry of the frame and visual perfection fits perfectly into the concept of "the world through the eyes of a replicant", seeks to create exactly the big illusions. And he is the first to be their victim - if only because it did not decide to get out of the shadow of a real demiurge.